Boke? Or do you prefer Boak? Look it up!
One of the many aspects of the “festive season” (Bah! Humbug!) that I sincerely, utterly, quiveringly loath is the lists of “best books of the year”.
The New York Times one is up already, so I know what will puff out the “Culture” pages of the weekend papers and magazines.
My reasons for this dyspepsia are:
- the lists prove what an illiterate, narrow-minded swine I am;
- are usually full of stuff I see as detritus;
- induce guilt that I didn’t read the one or two worthy items on the list;
- and I’ve not caught up with the last century, let alone the last twelve months.
Taking the NYT as an example, I see just the one there that I intend to read: Colson Whitehead’s The Underground Railway.
My own list?
Well, it would have to include:
- Ian Rankin’s latest, and 21st, Rebus: published on 3rd November, arrived, courtesy of Amazon Prime, a day early, read and shelved within a couple of days. One of the very few “newly-published” novels I’ve bought this year, along with the latest Donna Leon and Philip Kerr.
- Under “military history”, Trevor Royle’s Culloden. Royle did a synopsis for The Scotsman, and that sold it to me.
- A weekend in Belfast coincided with the Linen Hall Library pop-up second-hand shop, filled with cart-loads of rubbish. Still, I rescued a (apparently unopened) biography of Joseph Walshe and a couple of other items. Nolan on Walshe is a decent effort, not without faults, but it helps to join the dots. Across Fountain Street, a couple of doors down from the Linen Hall itself, is Waterstones. Any large “provincial” Waterstones is always worth a rummage, to see what the locals are keeping to themselves: there, three years late, I found Roger Courtney’s Dissenting Voices.
- My expensive habit of buying exhibition catalogues means I now own You Say You Want a Revolution, Records and Rebels 1966-1970 from the Victoria and Albert. The whole exhibition seems to spring from the record collection of the late John Peel, padded out with ephemera. If you remember the ’60s, you weren’t there, of course. I was, and I do. Nice to meet old friends (and sing along with Country Joe).
- Theatre: as age affects the hearing (and the Siemens earpieces help only a little) I tend to buy play-scripts. Confession time: I had never tackled Fletcher and Bill Shagsper’s Two Noble Kinsmen until a weekend in Stratford. Yeah, but nowhere near the exuberance and sheer fun of Aphra Benn’s The Rover in the afternoon matinee (my copy of that script goes back to the RSC production of 1986).
- Oh, and two real goodies, thieved from one of those pubs which decorate with aged and crumbling books. Also always worth a rummage: there are treasures among the Farmers’ Handbooks for 1922 and the discarded law manuals. One was Anthony Hope’s wry, charming The Dolly Dialogues (a first edition, “reprinted from the Westminster Gazette“, 1896) and RLS’s St Ives.
Eccentric. Eclectic. Pompous. Guilty as charged (even of those last two slight volumes).
Only then do I start to wonder what I’ve missed.