Tag Archives: reading

Rudery and prudery

[Another post ported from Malcolm Redfellow’s Home Service]

 20. Strumpshaw, Tincleton and Giggleswick’s Marvellous Map of Great British Place Names.

It was an item in the Eastern Daily Press that reminded me:
 
A post about tranquil Cockshoot Dyke was removed by Facebook because it goes against community standards and constitutes “hate speech”.
 

Steve Burgess, a businessman and administrator on the Facebook page Love the Norfolk Broads said the issue arose when a member posted she had moored along the popular stretch, the old entrance to Cockshoot Broad.

Her reference combing the words cock, shoot, and dyke was promptly removed by automatic filters, a notification citing both violence and sexual content as the reason.

Most keyboard warriors have had similar experiences. Way back when PC (in every sense) machines were becoming available to teachers, I was edifying examination classes studying Romeo and Juliet. The institution had a super-Bowdler blocker. It meant a text-search of the the text of the play hit a block, and recorded an alarm to Higher Authority, were one to scroll to Mercutio’s Queen Mab speech. Since that comes as early as Act I, scene iv, it really put the mockers on cut-and-paste text extracts.

Since my days in Norfolk, it has become generally accepted that the Broads are flooded mediæval peat excavations. There’s a passing mention in Michael Pye’s Antwerp that the Netherlanders borrowed the process.

Cockshoot Broad is off the River Bure, and near to … ahem! … Horning. It isn’t just Facebook that has a down on Cockshoot Broad — as a place-name it gets omitted from many another map. Even on the Ordnance Survey, one has to come down to finer definitions:

 

 

Cockshoot Broad and Cockshoot Dyke seem to miss out on Marvellous Maps of Great Britain:

Some of those seem eccentric selections, anyway. What’s funny or peculiar about Stiffkey (apart from one past rector)? Especially since, nearby is Muckledyke, Cockthorpe, Cocklestrand Drive and others? Why is Great Snoring (even with its Duckstown End) more amusing than Little Snoring? And Binham used to have Lousybush Lane.

 

The EDP conclude that story with even better snorklers:

A scan around the county reveals Facebook could have a field day if it were feeling particularly easily offended.

Notable mentions go to Three Holes, a hamlet on the Norfolk and Cambridgeshire border and Two Mile Bottom campsite near Thetford and Stiffkey.

But top honours have to go to Slutshole Lane, Besthorpe, Cock Street and Hooker Road in Norwich, Dick’s Mount in Beccles, and Trumpery Lane in Norwich.

 

 

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Something happened …

[Yet an further port from Malcolm Redfellow’s Home Service, still trying to cope with the inability of WordPress to work with a Safari browser.]

No: not Joseph Heller’s ‘forgotten novel‘ — though I ought to get to Heller sometime. Just a thought about the moment English navigators and seamen looked across the Atlantic.

I doubt it was just Cristóbal Colón, antea Cristovão Colom,  Cristoforo Colombo finding his way and naming San Salvador.

All the evidence is that the shipmen of Bristol (and perhaps places like Waterford) had gone beyond the Porcupine Bank and been fishing off Newfoundland for at least two decades before — and presumably had some idea of land nearby. They just kept that knowledge to themselves. Else, how do we explain John Lloyd in a small vessel out of Bristol (15 July 1480) heading out to look for the mythical island of Hy Brasil? Lloyd’s cargo included forty bushels of salt — a bit of cod-fishing was obviously part of the deal.

There’s more evidence in Hakluyt, who included in Principal Navigations a Robert Thorne’s map and some memoirs. Thorne, in two letters (one to Henry VII Tudor, the other to Edward Lee, the English Ambassador to Spain), tells of his father having been involved in explorations of the Newfoundland coast, and urging the ‘authorities’ to get on with repeating it.

All of which, and far, far more suggests to my mind that ‘Something was happening’ in Tudor times to turn English attention to look west. The only question is when to date it.

Allow me to leap a very eventful century to 4 November 1576. That date was the sacking of Antwerp, and a period of anarchy for the Spanish Netherlands, which had all kinds of consequence. Out of that, the Union of Arras (formulating a core for the remaining Spanish power) and the Union of Utrecht (the cohesion of the United Provinces), both in late 1579, explain why the modern Netherlands (mainly lapsed Protestants) and Belgium (heavily Catholic, but no longer as sincere as they used to be) still persist. This was when the Habsburgs were realising the limits of Spanish power in the Low Countries. After, the main commerce centre moved north along the coast to Amsterdam. From a specific English point-of-view, it destroyed the main export wool-market.

And it’s why I have been reading …

17. Michael Pye, Antwerp: The Glory Years

I bought this book on the back of very warm reviews, and because I knew (and took to) Pye’s earlier The Edge of the World, How the North Sea Made Us Who We Are — which is very much the other half of this story. In the matter of the city and history of Antwerp, Pye’s two books overlap to the extent one may spot borrowings from one to the other: the same names flit from one to the other.

Another reason for acquiring this book was — I know and like Antwerp. Getting there is too easy — off the Eurostar at Brussels-Midi, change platform and the same ticket takes me the rest of the way. Antwerpen Centraal is gloriously theatrical, turn-of-the-nineteenth-century and splendidly over-the-top.

Belgium as a whole is the epitome of Northern European bourgeoisification. Antwerp must count as the country’s most bourgeois provincial city. And the ultimate bourgeois bit of Antwerp is Meir, the fashion district. Money still talks here — but with style.

Pye’s story is the great century of Antwerp, the sixteenth century. His account is topped-and-tailed by two events, making for a compact account (the text is barely a couple of hundred pages). It kicks off with the arrival of Portuguese Jews fleeing from the Inquisition, bringing their skills, trades and acumen. It ends with Alexander Farnese, duke of Parma, suppressing of dissent, enforcing Catholic conformity, and so with the flight of those Jews, of Lutherans and Calvinists to more congenial cities. In between is a period of liberalism, especially in economics.

Hence the story never strays too far from money. The book is delightfully full of anecdotes and vignettes. This is from page 116, starting chapter 8 (which is entitled — yes — Money):

The banker and merchant Erasmus Schetz tried to explain money to his ‘most special friend’, the ‘great and most learnèd man’, the philosopher Desiderius Erasmus of Rotterdam. He was not doing well. ‘I was certain,’ Schetz wrote, ‘that within a year I would have rendered you capable of understanding all this.’ He added: ‘I would prefer that you were more capable of grasping this matter than I see you are.’

Erasmus was expecting income from a parish in England, but the coins seemed to have different values in different places. Schetz had to tell Erasmus that there was money in coins and money on paper and the value of the two could shift, that other people could take the difference between the markets in money ‘to their own gain, and to your detriment’. The great philosopher had a simpler view: he assumed he was being robbed.

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Entr’acte: sonnets

Warning: any defects of format are because this is a port from Malcolm Redfellow’s Home Service, because Blogger is still capable of working with Safari.]

 If those previous posts were the first Act, and if more are to follow, I need a short diversion.

Something short and snappy. My natural verbosity will not deliver, so I’ll still go for the diversion.

I’m not going to explain again the sonnet form. Nor attempt a history of it. I’ll just pluck a few petals on the way.

First up, although it had been around in early Italian since the thirteenth century, it didn’t arrive in England until the sixteenth.

Usually Sir Thomas Wyatt (as left, by Holbein) and Henry Howard, earl of Surrey get that credit. It says much about mid-sixteenth-century courtly life that both those worthies had flirtations with the headsman’s axe. Wyatt was in deep doo-doo through an association with Anne Boleyn which put him in the Tower to witness her end. He was saved by his friendship with Thomas Cromwell (they shared, serially, a mistress, Elizabeth Darrell).

Henry Howard, the earl of Surrey, was not so spared. He was a trifle too closely related to the head that wore the crown for comfort; and he had too short a temper for a courtier of Henry Tudor. He became the king’s last victim.

I’ve tried to engage with their sonnets; but never managed to be properly uplifted or enthused.

I’m sure I should rave about Bill Shagspur’s efforts. Some we know too well; others have the odour of a sonnet factory (one cannot maintain prime quality over 154 of them). And I’ve had to teach them too often. Perhaps his best are those almost hidden in Romeo and Juliet (far too good a play to be wasted on the young): the Prologue and the heavily-truncated two tiercets of the Epilogue, but above all the hands motif when the lovers first engage.

My salivation improved with Milton:

Avenge, O Lord, thy slaughter’d saints, whose bones Lie scatter’d on the Alpine mountains cold …

Spit it out, man!Slain by the bloody Piemontese that roll’dMother with infant down the rocks. There! Bet you felt better for that! There’s nothing like a piece of invective for clearing the pipes. Some day I must set to discover what incident (apart from a general loathing of Roman Catholicism) prompted Milton’s outburst.

Here’s another that stuck: Keats gob-smacked On First Looking into Chapman’s Homer. The doughty explorers climb a hill, and find themselves facing a vast new Ocean

Pity it wasn’t Cortez: but then ‘Vasco Núñez de Balboa’ is never going to fit iambic pentameter.

:… like stout Cortez when with eagle eyes

He star’d at the Pacific — and all his men 

Look’d at each other with a wild surmise — Silent, upon a peak in Darien.

Allow me to cut to the chase.

There are a couple of modern sonnets that work for me. Both are very Irish, but speak to a wider audience. Both of whose authors I remember seeing in Dublin. Heaney, still unpublished but one we knew to watch, was athwart the cobbles of TCD’s Front Square, in deep conversation with Michael Longley, and (I believe) with Derek Mahon. One at least was smoking a cigarette.

First of them, Famous Seamus:

Dogger, Rockall, Malin, Irish Sea:Green, swift upsurges,

North Atlantic flux   Conjured by that strong gale-warning voice,  

Collapse into a sibilant penumbra.

Midnight and closedown.Sirens of the tundra,

Of eel-road, seal-road, keel-road, whale-road, raise  

Their wind-compounded keen behind the baize

And drive the trawlers to the lee of Wicklow. 

L’Etoile, Le Guillemot, La Belle Hélène  

Nursed their bright names this morning in the bay  

That toiled like mortar. It was marvellous  

And actual, I said out loud, ‘A haven,’  

The word deepening, clearing, like the sky

Elsewhere on Minches, Cromarty, The Faroes.

Heaney had withdrawn from the Troubles to Glanmore in the County Wicklow, a few kilometres inland from Wicklow town. I imagine him listening to the post-midnight Shipping Forecast from the BBC. His sonnet twists back to the very beginnings of early English poetry, and their kennings, those metaphors, of Icelandic and Anglo-Saxon verse. Just as the storm drives the French fishing-boats to shelter in the lee of Wicklow, so his home in the Republic is A Haven.

OK: well it works for me.

If that one is good, this is even better: Paddy Kavanagh — who I was taken to observe in McDaid’s in Harry Street. The evening was yet young, because Kavanagh was merely hunched and solitary.

Kavanagh exploited the sonnet form, playing fast-and-loose with formal rules — and, as we are about to see, whole rhymes. Many propose Canal Bank Walk as his great achievement. Fair enough, say I, provided you are not being blinded by Hilda Moriarty

This one, though, is both simply and grandly, Epic:

I have lived in important places, times
When great events were decided, who owned
That half a rood of rock, a no-man’s land
Surrounded by our pitchfork-armed claims.
I heard the Duffys shouting “Damn your soul!”
And old McCabe stripped to the waist, seen
Step the plot defying blue cast-steel –
“Here is the march along these iron stones.”
That was the year of the Munich bother. Which
Was more important? I inclined
To lose my faith in Ballyrush and Gortin
Till Homer’s ghost came whispering to my mind.
He said: I made the Iliad from such
A local row. Gods make their own importance.

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Telling a story

[Your constant reminder this is a port from Malcolm Redfellow’s Home Service, because WordPress doesn’t like Safari browsers.]

At its best, a book tells at least two stories: the text within, and the metatext that surrounds what is within.

Here’s an example:

14. JB Priestley, English Journey

My copy lacks this wrap-around dust-cover, which would multiply its monetary value several fold. It is, nevertheless, a first edition, and in remarkable condition for an octogenarian.

Inside the front cover, its first owner has inscribed, in respectfully modest minuscule, ‘H. Barnett. 23 July 1934’.  Below which, in an educated, even artistic hand, larger, more confident, ‘CT’ (or possibly ‘GT’) ‘1988’, forcibly underlined. In the corner above, Oxfam Books (where I bought it) has pencilled ‘£2,99, w 13’. There’s a whole history summarised.

I obviously got a bargain, because opposite in in delicate pencil is ‘1934 £7.50 1st edition’.

Over the year I have picked up some remarkable autographs in such inscriptions. At one stage I was collecting Left Book Club editions, and found I had the names of a couple of Cabinet members from the Attlee years. The Pert Young Piece rescued those when we moved house, and squealed with delight at her discoveries. One never knows until one looks.

We could, pertinently, ask why Priestley’s text has survived and prospered.

First of all, it was to Priestley and now to us a voyage of exploration, historical and personal.

Start with the extended subtitle:

Being a rambling but truthful account of what one man saw and heard and felt during a journey through England during the autumn of the year 1933

— precise, subjective and emotive (at least in the sense it is placed definitively within Priestley’s own personal emotions).

That comes through with one of his first trips, to Southampton:

I had been to Southampton before, many times, but always to or from a ship. The last time I sailed for France during the war was from there, in 1918, when half a dozen of us found ourselves the only English officers in a tall crazy American ship bursting with doughboys, whose bands played ragtime on the top deck. Since then I had sailed for the Mediterranean and New York from Southampton, and had arrived there from Quebec. But it had no existence in my mind as a real town, where you could buy and sell and bring up children; it existed only as a muddle of railway sidings, level crossings, customs houses and dock sheds: something to have done with as soon as possible. The place I rolled into down the London Road was quite different, a real town.

Margin Released (1962) was as close as Priestley came to a memoir, and beyond the second section and a few letters from the trenches we have to piece together his WW1 service. He had volunteered on 7 September 1914. He was posted to France as a lance-corporal in the 10th Battalion, was wounded twice, most seriously being buried by a trench mortar in June 1916 (which required an extended convalescence). At the dog-end of the War he was back as an officer (anyone of any capability who had lasted four years was likely to be advanced that far) and may have suffered a slight gassing.

In English Journey, he returns to the West Riding, and Bradford, invited to a regimental reunion:

I should not be writing this book now if thousands of better men had not been killed; and if they had been alive still, it is certain that I should have been writing, if at all, about another and better England. I have had playmates, I have had companions, but all, all arc gone; and they were killed by greed and muddle and monstrous cross-purposes, by old men gobbling and roaring in clubs, by diplomats working underground like monocled moles, by journalists wanting a good story, by hysterical women waving flags, by grumbling debenture-holders, by strong silent be-ribboned asses by fear or apathy or downright lack of imagination. I saw a certain War Memorial not long ago; and it was a fine obelisk, carefully flood-lit after dark. On one side it said Their Name Liveth For Evermore and on the other side it said Lest We Forget. The same old muddle, you see: reaching down to the very grave, the mouldering bones. I was with this battalion when it was first formed, when I was a private just turned twenty; but 1 left it, as a casualty, in the summer of 1916 and never saw it again, being afterwards transferred to another regiment. The very secretary who wrote asking me to attend this dinner was unknown to me, having joined the battalion after I had left it. So I did not expect to see many there who had belonged to the old original lot, because I knew only too well that a large number of them, some of them my friends, had been killed. But the thought of meeting again the few I would remember, the men who had shared with me those training camps in 1914 and the first half of 1915 and those trenches in the autumn and winter of 1915 and the spring of 1916, was very exciting. There were bound to be a few there from my old platoon, Number Eight. It was a platoon with a character of its own. Though there were some of us in it young and tender enough, the majority of the Number Eighters were rather older and grimmer than the run of men in the battalion; tough factory hands, some of them of Irish descent, not without previous military service, generally in the old militia. When the battalion was swaggering along, you could not get Eight Platoon to sing: it marched in grim, disapproving silence. But there came a famous occasion when the rest of the battalion, exhausted and blindly limping along, had not a note left in it; gone now were the boasts about returning to Tipperary, the loud enquiries about the Lady Friend; the battalion was whacked and dumb. It was then that a strange sound was heard from the stumbling ranks of B Company, a sound never caught before; not very melodious perhaps nor light-hearted, but miraculous: Number Eight Platoon was singing. Well, that was my old platoon, and I was eagerly looking forward to seeing a few old remaining members of it. But I knew that I should not see the very ones who had been closest to me in friendship, for they had been killed; though there was a moment, I think, when I told myself simply that I was going to see the old platoon, and, forgetting the cruelty of life, innocently hoped they would all be there, the dead as well as the living.

After rambling (quite literally) up the Dales, Priestley heads for the Potteries and then to Liverpool and Lancashire. This is where the tone of the Journey changes, and Priestley’s mood with it. What about the slums of Liverpool? —

A great many speeches have been made and books written on the subject of what England has done to Ireland. I should be interested to hear a speech and read a book or two on the subject of what Ireland has done to England. If we do have an Irish Republic as our neighbour, and it is found possible to return her exiled citizens, what a grand clearance there will be in all the Western ports, from the Clyde to Cardiff what a fine exit of ignorance and dirt and drunkenness and disease. The Irishman in Ireland may, as we are so often assured he is, be the best fellow in the world, only waiting to say good-bye to the hateful Empire so that, free and independent at last, he can astonish the world. But the Irishman in England too often cuts a very miserable figure. He has lost his peasant virtues, whatever they are, and has acquired no others. These Irish flocked over here to be navvies and dock hands and casual labourers, and God knows that the conditions of life for such folk are bad enough. But the English of this class generally make some attempt to live as decently as they can under these conditions: their existence has been turned into an obstacle race, with the most monstrous and gigantic obstacles, but you may see them straining and panting, still in the race. From such glimpses as I have had, however, the Irish appear in general never even to have tried; they have settled in the nearest poor quarter and turned it into a slum, or, finding a slum, have promptly settled down to out-slum it. And this, in spite of the fact that nowadays being an Irish Roman Catholic is more likely to find a man a job than to keep him out of one. There are a very large number of them in Liverpool, and though I suppose there was a time when the city encouraged them to settle in it, probably to supply cheap labour, I imagine Liverpool would be glad to be rid of them now. After the briefest exploration of its Irish slums, I began to think that Hercules himself will have to be brought back and appointed Minister of Health before they will be properly cleaned up, though a seductive call or two from de Valera, across the Irish Sea, might help. But he will never whistle back these bedraggled wild geese. He believes in Sinn Fein for Ireland not England.

Tsk! Tsk! Mr Priestley!

If Priestley is out-of-sorts in Liverpool, his temper worsens as he drives through industrial Lancashire:

We went through Bolton. Between Manchester and Bolton the ugliness is so complete that it is almost exhilarating. It challenges you to live there. That is probably the secret of the Lancashire working folk: they have accepted that challenge; they are on active service, and so, like the front-line troops, they make a lot of little jokes and sing comic songs. There used to be a grim Lancashire adage: “Where there’s muck, there’s money.” But now when there is not much money, there is still a lot of muck. It must last longer. Between Bolton and Preston you leave the trams and fried-fish shops and dingy pubs; the land rises, and you catch glimpses of rough moorland. The sun was never visible that afternoon, which was misty and wettish, so that everything was rather vague, especially on the high ground. The moors might have been Arctic tundras. The feature of this route, once you were outside the larger towns, seemed to me to be what we call in the North the “hen runs.” There were miles of them. The whole of Lancashire appeared to be keeping poultry. If the cotton trade should decline into a minor industry, it looks as if the trains that once carried calico will soon be loaded with eggs and chickens. It is, of course, the extension of what was once a mere hobby. Domestic fowls have always had a fascination for the North-country mill hands. It is not simply because they might be profitable; there is more than that in it. The hen herself, I suspect, made a deep sub-conscious appeal to these men newly let loose from the roaring machinery. At the sound of her innocent squawking, the buried countryman in them began to stir and waken. By way of poultry he returned to the land, though the land he had may have been only a few square yards of cindery waste ground. Now, of course, sheer necessity plays its part too. We were going through the country of the dole.

He is back, eighty years on, in Dickens’s Coketown. Preston, which is generally taken as the model for ‘Coketown’, shows the cotton trade already in terminal decline:

That very day a mill, a fine big building that had cost a hundred thousand pounds or so not twenty years ago, was put up for auction, with no reserve: there was not a single bid. There hardly ever is. You can have a mill rent-free up there, if you are prepared to work it. Nobody has any money to buy, rent or run mills any more.

George Orwell will follow a couple of years later, also on Victor Gollancz’s money and patronage, and do a better, more incisive demolition.

That followed quickly by an anticipation of the North-South divide, the ‘Red Wall’, ‘levelling up’ and other false promises:

Lancashire must have a big plan. What is the use of England — and England in this connection, of course, means the City, Fleet Street, and the West End clubs — congratulating herself upon having pulled through yet once again, when there is no plan for Lancashire. Since when did Lancashire cease to be a part of England? […] No man can walk about these towns, the Cinderellas in the baronial household of Victorian England, towns meant to work in and not to live in and now even robbed of their work, without feeling that there is a terrible lack of direction and leadership in our affairs. It does not matter now whether Manchester does the thinking to-day and the rest of England thinks it to-morrow, or whether we turn the tables on them and think to-day for Manchester to-morrow. But somebody somewhere will have to do some hard thinking soon.

And on this most unsatisfactory conclusion, asking myself, over and over again, what must be done with these good workless folk, I took leave […] and made for the bleak and streaming Pennines, on my way to the Tyne; with the weather, like my journey, going from bad to worse. 

By which time Priestley is running a cold and a temperature, and dislikes Newcastle :

taking a great dislike to the whole district, which seemed to me so ugly that it made the West Riding towns look like inland resorts.

Then he anticipates Orwell precisely:

On a morning entangled in light mist, under a sullen sky, I left the Tyne by road for East Durham. Most of us have often crossed this county of Durham, to and from Scotland. We are well acquainted with the fine grim aspect of the city of Durham, with that baleful dark bulk of castle, which at a distance makes the city look like some place in a Gothic tale of blood and terror. […] It is, you see, a coalmining district. Unless we happen to be connected in some way with a colliery, we do not know these districts. They are usually unpleasant and rather remote and so we leave them alone. Of the millions in London, how many have ever spent half an hour in a mining village? How many newspaper proprietors, newspaper editors, newspaper readers have ever had ten minutes’ talk with a miner? How many Members of Parliament could give even the roughest description of the organisation and working of a coal-mine? How many voters could answer the simplest questions about the hours of work and average earnings of a miner? These are not idle queries. I wish they were. If they had been, England would have been much merrier than it is now.

Most English people know as little about coal-mining as they do about diamond-mining. Probably less, because they may have been sufficiently interested to learn a little about so romantic a trade as diamond-mining. Who wants to know about coal? Who wants to know anything about miners, except when an explosion kills or entombs a few of them and they become news? 

His journey returns him south: he isn’t much taken by York, quite likes Beverley, and finds Hull busy with fish and grain:

It remains in my memory as a sound and sensible city, not at all glamorous in itself yet never far from romance, with Hanseatic League towns and icebergs and the Northern Lights only just round the corner.

Lincoln he likes, too: a comfortable hotel, some companionship, and

few things in this island are so breathlessly impressive as Lincoln Cathedral, nobly crowning its hill, seen from below. It offers one of the Pisgah sights of England.  There, it seems, gleaming in the sun, are the very ramparts of Heaven. That east wind, however, blew all thoughts of idling in the Minster Yard out of my mind.

Ditto market day in Boston, and not quite three hundred feet high Boston Stump (actually, St Botolph’s is just over eighty metres).

And so via King’s Lynn to Norwich:

1 was not paying my first visit to Norwich, though I had never stayed there before.   But I must have lunched several times at the Maid’s Head, and then spent an hour looking at the antique shops in Tombland. The last time we were there, I remembered, we had bought a John Sell Cotman and a pretty set of syllabub glasses.

For me the notion of finding a Cotman in an antique shop, is more than anything else the distinction of 1934 and today. Priestley then chucks in an anticipation of regional government:

What a grand, higgledy-piggledy, sensible old place Norwich is! May it become once more a literary and publishing centre, the seat of a fine school of painters, a city in which foreigners exiled by intolerance may seek refuge and turn their sons into sturdy and cheerful East Anglians; and may I live to sec the senators of the Eastern Province, stout men who take mustard with their beef and beer with their mustard, march through Tombland to assemble in their capital.

Bring it on, say I.

Finally his journey over, Priestley works up a froth to sum it all. We then see why he became so popular during the Second Unpleasantness (1939-1945). The Central Office of Information decided that regional voices were a good thing — apart from much else, they were harder for the Huns to imitate, and they did give some sense of ‘We’re all in this together’. Despite Priestley’s boast of keeping his Bradford accent, three years at Cambridge had softened it. In his war-time broadcasts he reconstructs it (as did John Arlott, Wilfred Pickles, and others).

In 1934 ‘Jack’ Priestley is already preparing himself for that rôle (he was ever a man of the theatre):

I thought about patriotism. I wished I had been born early enough to have been called a Little Englander, It was a term of sneering abuse, but 1 should be delighted to accept it as a description of myself. That little sounds the right note of affection. It is little England I love. And I considered how much I disliked Big Englanders, whom I saw as red-faced, staring, loud-voiced fellows, wanting to go and boss everybody about all over the world, and being surprised and pained and saying, “Bad show!” if some blighters refused to fag for them. They are patriots to a man. I wish their patriotism began at home, so that they would say — as I believe most of them would, if they only took the trouble to go and look — “Bad show!” to Jarrow and Hcbburn. After all, I thought, I am a bit of a patriot too. I shall never be one of those grand cosmopolitan authors who have to do three chapters in a special village in Southern Spain and then the next three in another special place in the neighbourhood of Vienna. Not until I am safely back in England do I ever feel that the world is quite sane. (Though I am not always sure even then.) Never once have I arrived in a foreign country and cried, ‘This is the place for me.” I would rather spend a holiday in Tuscany than in the Black Country,, but if I were compelled to chose between living in West Bromwich or Florence, I should make straight for West Bromwich.

Decode that ‘metatext’.

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Fallen from grace

[Remember: I am porting from original posts at redfellow.blogpost.com — because WordPress and Safari simply do not integrate.]

If the human race truly sprang from Eden, what could possibly persuade them to move to industrial Lancashire? Of course: the force of necessity.

Friedrich Engels, the elder, owned a mill in Salford. His son, living well on the profits, excoriated the system in The Condition of the Working Class in England (1845). There is no connection there to Dickens: the English translation didn’t appear until 1887.

It didn’t need Engels, Junior, to tell the English middle classes of the squalor and brutality of the factory system. A railway journey through through any industrial suburb would have shown what was involved. Dickens himself made many such a trip, and witnessed it for himself.

So I cannot casually pass by on the other side, without adding to my list:

13: Charles Dickens, Hard Times, for These Times.

When I look up there, above my left shoulder — between Michael Dibden and JP Donleavy — Hard Times seems slimmer (even in annotated academic edition) than others of his novels. It is ‘only’ 110,000 words, which is short-shrift for Dickens. It appeared in twenty instalments over the summer of 1854. It has the classic ‘triple-decker’ structure to go with the seasons: SowingReapingGarnering. If we are not already on the same page, try Galatians, 6, particularly verse 8 (and Mr Dickens would never have used anything less than KJV):

For he that soweth to his flesh shall of the flesh reap corruption; but he that soweth to the Spirit shall of the Spirit reap life everlasting.

The opening of Hard Times bashes us over the head with that antithesis. By name and nature, in a gaunt classroom, Thomas Gradgrind (patron of education and local MP) interrogates:

the little pitchers before him, who were to be filled so full of facts.

Later, chapter IV with Mr Bounderby, we find the forenames of Gradgrind’s five children: young Thomas, Adam Smith, Malthius — and (tellingly for gender discrimination) Louisa and little Jane.

Gradgrind meets his match in Cissy Jupe, the circus-clown’s daughter:

‘Girl number twenty,’ said Mr. Gradgrind, squarely pointing with his square forefinger, ‘I don’t know that girl. Who is that girl?’

‘Sissy Jupe, sir,’ explained number twenty, blushing, standing up, and curtseying.

‘Sissy is not a name,’ said Mr. Gradgrind. ‘Don’t call yourself Sissy.  Call yourself Cecilia.’

‘It’s father as calls me Sissy, sir,’ returned the young girl in a trembling voice, and with another curtsey.

‘Then he has no business to do it,’ said Mr. Gradgrind. ‘Tell him he mustn’t.  Cecilia Jupe.  Let me see.  What is your father?’

‘He belongs to the horse-riding, if you please, sir.’

Mr. Gradgrind frowned, and waved off the objectionable calling with his hand.

‘We don’t want to know anything about that, here. You mustn’t tell us about that, here. Your father breaks horses, don’t he?’

‘If you please, sir, when they can get any to break, they do break horses in the ring, sir.’

‘You mustn’t tell us about the ring, here. Very well, then. Describe your father as a horsebreaker.  He doctors sick horses, I dare say?’

‘Oh yes, sir.’

‘Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse.’

(Sissy Jupe thrown into the greatest alarm by this demand.)

‘Girl number twenty unable to define a horse!’ said Mr. Gradgrind, for the general behoof of all the little pitchers. ‘Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy’s definition of a horse […]

Two reasons I failed to be a novelist were inabilities to develop a plot or manage convincing dialogue: but note again the gender discrimination. Dickens always implies far more than he tells us.

Louisa Gradgrind will be married off to Bounderby (the marriage quickly fails: he is disgraced) to be saved by the family life of Sissy. Tom will rob Bounderby’s bank: Sissy will try to save him through the circus, and he escapes on a emigrant ship (and dies of fever).

The last chapter is Final. The wrap of a Dickens story is ever a quick once-over-lightly to fulfil the need in a good morality. In Hard Times it seems more abrupt than ever — almost like one of those movies where the production money runs out before the final reel.

There is a complex sub-plot involving exploited work-folk, heroic and honest labourers, and even embryonic trades unions (but also a whiff of Fred Kyte). This tends to grab those looking for ‘social realism’.

And yet …

For me the truly endearing character is Mr Sleary, the owner of the circus and ‘Signor Jupe’. He is what Bounderby and Gradgrind fail to be: the successful businessman, who adopts Sissy.

The people of the circus are the antithesis of Gradgrind’s natural order:

They all assumed to be mighty rakish and knowing, they were not very tidy in their private dresses, they were not at all orderly in their domestic arrangements, and the combined literature of the whole company would have produced but a poor letter on any subject.  Yet there was a remarkable gentleness and childishness about these people, a special inaptitude for any kind of sharp practice, and an untiring readiness to help and pity one another, deserving often of as much respect, and always of as much generous construction, as the every-day virtues of any class of people in the world.

Dickens makes Sleazy a zany:

Mr. Sleary: a stout man as already mentioned, with one fixed eye, and one loose eye, a voice (if it can be called so) like the efforts of a broken old pair of bellows, a flabby surface, and a muddled head which was never sober and never drunk.

He is, though, always in charge of the admission booth and the takings. He has his mantra, book-ending the main story (chapter VI of Sowing and — here, in the fuller version — the penultimate chapter of the book):

‘Thquire, thake handth, firtht and latht!  Don’t be croth with uth poor vagabondth.  People mutht be amuthed.  They can’t be alwayth a learning, nor yet they can’t be alwayth a working, they an’t made for it.  You mutht have uth, Thquire.  Do the withe thing and the kind thing too, and make the betht of uth; not the wurtht!’

‘And I never thought before,’ said Mr. Sleary, putting his head in at the door again to say it, ‘that I wath tho muth of a Cackler!’ 

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What the Dickens!

Sometime in the intermission between lock-downs, we escaped to Porto. The Pert Young Piece insisted we join the throng to gain admission to Livraria Lello. One pays to get in, and reclaims the expense against a purchase. Seems sound enough business practice, and I came away with a small anthology of Camões (whom I have frequently mentioned as part of the epic tradition, but never really read at any length). Despite the hordes desperate to view that Harry Potter stair-case, the bookseller took pity on my age, allowed me to sit and muse, and engaged me in conversation — at one point thrusting a Dickens first-edition into my hands.

I’ve never bothered to order my preference for Dickens’ writings. On first thoughts, I prefer the later ones to anything before Copperfield (1850) — though even that ending is a trifle oily and unctuous for modern tastes. Probably bottom of the league, and teetering on relegation would be Chuzzlewit (1844), where I sense the creative juice was running a trifle thin. 

On the other hand, there are the ‘hard’ novels — not just Our Mutual Friend (1865), because of its complexity, depth and length — but Bleak House (1853) and Hard Times (1854). Those latter two are my top spots. 

12. Charles Dickens: Bleak House

I’ve been obsessing over openers above. The starter here, In Chancery, has to be exemplary. At his luxuriant best, Dickens develops a massive metaphor: a true ‘London peculiar’ and the fog of the judiciary:

London. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snowflakes—gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if this day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.

Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ‘prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.

Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time—as the gas seems to know, for it has a haggard and unwilling look.

The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

One of the few joys of A-level teaching is a ‘bright’ class cracking open their clean, new paperbacks. Quick clearing of throat, and I, the centre of attention, can indulge in those rolling paragraphs. Never deny the latent thesp in any teacher. With luck, one of the brightest of the bright may quibble over Megalosaurus:

Did they really know of dinosaurs in the 1860s?

Oh yes, indeed, my fine friend. And they were an English discovery. The Rev. Dr. William Buckland, Oxford geologist and (get this!) Dean of Westminster, found the first one in a slate quarry: it still has its place in Oxford University’s museum of Natural History. ‘Not many people know that!’ (to be delivered in the rôle of Michael Caine). Other, different species started to come out of the strata, so Richard Owen (who thought Darwin’s theory too simplistic) had to invent the omnibus term, ‘dinosaur’, in 1842.

It needs a certain input of imaginary puissance to conjure up the smog and filth of a London still dependent on coal fires and horse-drawn vehicles, though gas lamps might just be graspable.

The plot derives from the convolutions of the epic law-suit, Jarndyce and Jarndyce, which is the main link between a whole phalanx of characters. The main two are Lady Dedlock and Esther Summers. We soon realise they are mother and her illegitimate daughter, by the recently dead ‘Nemo’ (Captain Hawdon). Dickens manages a complex detective story over how Lady Dedlock unravels who is who.

Inevitably (did we expect anything else?), Lady Dedlock’s shame is exposed; and she flees her marriage, leaving a note of confession and apology. The conniving lawyer, Mr Tulkinghorn, is found shot dead — suspicion falls on the fugitive Lady Dedlock. One of the more remarkable characters of the story, Inspector Bucket, now become central: he is commissioned to find her.

This provides — especially for one who spent four decades living in the locality — a moment of extreme tension. Bucket pursues Lady Dedlock along the turnpike road (we’d now call it, in its modern form, Archway Road) as it climbs up to the old turnpike at the junction with the present Muswell Hill Road. In driving snow. Leading to the final encounter of Esther and her mother, wearing (this is Victorian melodrama) the clothes of the clothes of Jenny, the mother of the dead child:

I saw before me, lying on the step, the mother of the dead child. She lay there with one arm creeping round a bar of the iron gate and seeming to embrace it. She lay there, who had so lately spoken to my mother. She lay there, a distressed, unsheltered, senseless creature. She who had brought my mother’s letter, who could give me the only clue to where my mother was; she, who was to guide us to rescue and save her whom we had sought so far, who had come to this condition by some means connected with my mother that I could not follow, and might be passing beyond our reach and help at that moment; she lay there, and they stopped me! I saw but did not comprehend the solemn and compassionate look in Mr. Woodcourt’s face. I saw but did not comprehend his touching the other [Bucket] on the breast to keep him back. I saw him stand uncovered in the bitter air, with a reverence for something. But my understanding for all this was gone.
 
I even heard it said between them, “Shall she go?”
 
“She had better go. Her hands should be the first to touch her. They have a higher right than ours.”
 
 passed on to the gate and stooped down. I lifted the heavy head, put the long dank hair aside, and turned the face. And it was my mother, cold and dead.

Her arm is creeping round a bar of the iron gate which keeps her from her dead lover’s grave.

One can read into the story whatever one wishes: the law’s delays, the foibles of fortune, Victorian moralities … 

Bucket often gets the credit of being the first detective in English fiction. The ‘detective branch’ of  the Metropolitan Police date from 1842: CID wouldn’t come along until 1878. Three articles by Dickens, from 1850 before he was formulating Bleak House, show his growing interest in the work of the detectives. In one, On Duty with Inspector Field, Dickens accompanied Field and his bag-man, Rogers, into the grim slums and cellars of ‘the rookery of St Giles’ (which would be swept away to make New Oxford Street and Charing Cross Road):

How many people may there be in London, who, if we had brought them deviously and blindfold, to this street, fifty paces from the Station House, and within call of Saint Giles’s church, would know it for a not remote part of the city in which their lives are passed? How many, who amidst this compound of sickening smells, these heaps of filth, these tumbling houses, with all their vile contents, animate, and inanimate, slimily overflowing into the black road, would believe that they breathe THIS air? How much Red Tape may there be, that could look round on the faces which now hem us in – for our appearance here has caused a rush from all points to a common centre – the lowering foreheads, the sallow cheeks, the brutal eyes, the matted hair, the infected, vermin-haunted heaps of rags – and say, ‘I have thought of this. I have not dismissed the thing. I have neither blustered it away, nor frozen it away, nor tied it up and put it away, nor smoothly said pooh, pooh! to it when it has been shown to me?’

Inspector Field was not just a creation of Dickens, patrolling the British Museum:

Inspector Field is, to-night, the guardian genius of the British Museum. He is bringing his shrewd eye to bear on every corner of its solitary galleries, before he reports ‘all right.’ Suspicious of the Elgin marbles, and not to be done by cat-faced Egyptian giants with their hands upon their knees, Inspector Field, sagacious, vigilant, lamp in hand, throwing monstrous shadows on the walls and ceilings, passes through the spacious rooms. If a mummy trembled in an atom of its dusty covering, Inspector Field would say, ‘Come out of that, Tom Green. I know you!’ If the smallest ‘Gonoph’ about town were crouching at the bottom of a classic bath, Inspector Field would nose him with a finer scent than the ogre’s, when adventurous Jack lay trembling in his kitchen copper. But all is quiet, and Inspector Field goes warily on, making little outward show of attending to anything in particular, just recognising the Ichthyosaurus as a familiar acquaintance, and wondering, perhaps, how the detectives did it in the days before the Flood.

He was a very real and identifiable person, Charles Field, and the obvious model for Inspector Bucket.

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The 4.04 for Forfar will leave from platform four …

Ah, that old one, the mythical announcement at Edinburgh Waverley, and in a plummy Morningside contralto. But, after a quantum of perspiration, I have arrived at …

4. T.H.White, The Once and Future King

This features here for a very particular reason. It was probably the first ‘grown-up’ novel I read and relished.

I am the man my mother made me, so I read. Christmas and birthdays guaranteed those Dent classics, as sold by Woolworths. One or two may turn up later.

I had for years plundered the ‘juvenile’ shelves of Wells branch of Norfolk Library Service. Next door but one to the post office. Both still in the same buildings. Back in my day the shelves were topped by taxidermied birds in glass cases. I see they’ve now gone for topiary in pots outside.

The old order changes …

WhiteThe day finally came when I felt the juvenilia no longer provided. I turned to the back end, S-Z, of the adult fiction shelves. And plucked out White, fresh from the press and a first-edition.

More than slightly timorous, I approached the check-out and presented my book and a distinctively-coloured (and I feared discriminatory) child’s card. It was accepted, without question. I shot home with 677 pages to devour (I know because I have here a copy, sadly a ‘seventh impression’ and dog-eared at that, from a school library long consigned to oblivion).

All and sundry know the first of the tetralogy — The Sword in the Stone — because Disney adapted it. But the film doesn’t do credit to the accumulated detail of White’s 1950s text (the tetralogy is an expansion of separate and simpler tales he’d written in the 1930s). By the time I reached Chapter 3, and Merlin’s cottage, with Archimedes the Owl, I was engrossed. Chapter XIII, with the Wart tranformed into an ant, and the anthill a parody of totalitarianism (and seemingly digs at Orwell), taught me early political science.

The third book in the sequence, The Ill-made Knight, has a nice analogy:

Lancelot ended by being the greatest knight King Arthur had. He was a sort of Bradman, top of the battling averages. Tristram and Lamorak were second and third.

But you have to remember that people can’t be good at cricket unless they teach themselves to be so, and that jousting was an art, just as cricket is. It was like cricket in many ways. There was a scorer’s pavilion at a tournament, with a real scorer inside it, who made marks on the parchment just like the mark for one run which is made by the cricket scorer today. The people, walking round the ground in their best frocks, from Grand Stand to Refreshment Tent, must have found the fighting very like the game. It took a frightfully long time – Sir Lancelot’s innings frequently lasted all day, if he were battling against a good knight – and the movements had a feeling of slow-motion, because of the weight of armour. When the swordplay had begun, the combatants stood opposite each other in the green acre like batsman and bowler – except that they stood closer together – and perhaps Sir Gawaine would start with an in-swinger, which Sir Lancelot would put away to leg with a beautiful leg-glide, and then Lancelot would reply with a yorker under Gawaine’s guard – it was called ‘foining’ – and all the people round the field would clap. King Arthur might turn to Guenever in the Pavilion, and remark that the great man’s footwork was as lovely as ever. The knights had little curtains on the back of their helms, to keep the hot sun off the metal, like the handkerchiefs which cricketers will sometimes arrange behind their caps today.

Knightly exercise was as much an art as cricket is, and perhaps the only way in which Lancelot did not resemble Bradman was that he was more graceful. He did not have that crouching on the bat and hopping out to the pitch of the ball. He was more like Woolley. But you can’t be like Woolley by simply sitting still and wanting to be so.

Probably today the Bradman and Woolley business wouldn’t work, but it was just right, late 1950s, for a young teen. 

The Arthurian legend is the ‘matter of England’ and so part of my psyche. Whenever Tennyson and Le Morte d’Arthur cropped up in the classroom the latent Ham in me couldn’t resist — 

So all day long the noise of battle roll’d 
Among the mountains by the winter sea …

Bedivere fossicking around before consigning Excalibur to the lake, and the stagger down to the barge on the mere. The class would be looking at me, wondering how close to lacrimosity it took me: I was usually able to control myself:

Long stood Sir Bedivere 
Revolving many memories, till the hull 
Look’d one black dot against the verge of dawn, 
And on the mere the wailing died away. 

Gawd, but I nearly disgraced myself, again.

All that for just one book, one addition to the list — but an important one for this developing reader.

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Oiling the wheels of democracy

I have spent too long, of recent days, engaging with Trumpians on politics.ie. This has been depressing because it was contending with repetitive misrepresentation and fallacy (I don’t like using the blunt ‘lying’), so much ignorance, where individuals who might aspire to their natural intelligence reduced themselves to recycling material not far flung from Der Stürmer.

Yet the American system survives, and re-energises itself. The 46th President is duly endorsed, and even the die-hard Republicans in Congress are accepting the inevitable.

Act of homage?

On Monday the Electoral College (that usually-irrelevant historic hang-over) did its bit. The Washington Post reported it; and had a little comment piece on page A2, The electoral college vote was blissfully bureaucratic.

It included this:

It was boring. And it was beautiful.​

It all unfolded after a weekend of violence in the nation’s capital, during which Trump-supporting Proud Boys, with their misogyny and racism, roamed the city, ravenous for a fight. The electors did their work despite threats of violence over the process. They did their work as so many Republicans in Washington, from the White House to Congress, tried to invalidate this election because the results made them unhappy and their happiness was pinned on retaining power at any cost even if all they seem to do with that power — at least in these past few months — is nothing.​

I thought I recognised Robin Givhan’s inspiration. It seemed a homage to the opening of Theodore White’s magnificent (and grandiloquent) The Making of the President. And that’s an invitation on which I can never pass:

It was invisible, as always.​

​They had begun to vote in the villages of New Hampshire at midnight, as they always do, seven and a half hours before the candidate rose. His men had canvassed Hart’s Location in New Hampshire days before, sending his autographed picture to each of the twelve registered voters in the village. They knew that they had five votes certain there, that Nixon had five votes certain—and that two were still undecided. Yet it was worth the effort, for Hart’s Location’s results would be the first flash of news on the wires to greet millions of voters as they opened their morning papers over coffee. But from there on it was unpredictable — invisible.​

​By the time the candidate left his Boston hotel at 8:30, several million had already voted across the country — in schools, libraries, churches, stores, post offices. These, too, were invisible, but it was certain that at this hour the vote was overwhelmingly Republican. On election day America is Republican until five or six in the evening. It is in the last few hours of the day that working people and their families vote, on their way home from work or after supper; it is then, at evening, that America goes Democratic if it goes Democratic at all. All of this is invisible, for it is the essence of the act that as it happens it is a mystery in which millions of people each fit one fragment of a total secret together, none of them knowing the shape of the whole.​

What results from the fitting together of these secrets is, of course, the most awesome transfer of power in the world—the power to marshal and mobilize, the power to send men to kill or be killed, the power to tax and destroy, the power to create and the responsibility to do so, the power to guide and the responsibility to heal—all committed into the hands of one man. Heroes and philosophers, brave men and vile, have since Rome and Athens tried to make this particular manner of transfer of power work effectively; no people has succeeded at it better, or over a longer period of time, than the Americans. Yet as the transfer of this power takes place, there is nothing to be seen except an occasional line outside a church or school, ora file of people fidgeting in the rain, waiting to enter the booths. No bands play on election day, no troops march, no guns are readied, no conspirators gather in secret headquarters. The noise and the blare, the bands and the screaming, the pageantry and oratory of the long fall campaign, fade on election day. All the planning is over, all effort spent. Now the candidates must wait.​

The Thing-Ummy Bob

It looks simple, this ‘democracy’, but what makes it work?

That took me to another analogy: a 1942 song by Gordon Thompson and David Heneker, celebrating Ernie Bevin’s conscription of female labour:

It’s a ticklish sort of job, making a thing for a thing-ummy-bob​
Especially when you don’t know what it’s for.​
But it’s the girl that makes the thing that drills the hole ​
That holds the spring that works the thing-ummy-bob​
That makes the engines roar …​
And it’s the girl that makes the thing ​
That holds the oil that oils the ring ​
That works the thing-ummy-bob ​
That’s going to win the war.​

And, yes, before you ask, I have been re-visiting Thames TV’s The World at War, partly for Laurence Olivier’s precise enunciation, but largely because of the quality of the writing and the direction.

Or, as Theodore White put it:

the essence of the act [is] that as it happens it is a mystery in which millions of people each fit one fragment of a total secret together, none of them knowing the shape of the whole.​

​There’s something else, though: like any other mystery, everybody involved has to believe in, trust the magic.

Which is why, when the outgoing president and all his craven crew, or his apologists deliberately subvert the process, they create a danger.

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Travel on, through leaves and over bridges of time

Paul ClaytonDone laid around, done stayed around
This old town too long;
Summer’s almost gone, winter’s coming on.

Where he got it from is anybody’s business, but Paul Clayton slapped his copyright on it. There’s a long, long story in how the song came to be, narrated in glorious and excruciating detail by Bob Coltman.

They were all at the game in the early folkie years: even the sainted Pete Seeger sailed close to the wind with Wimoweh. So much so, there was a variant on that old morality, Keep your hand on your ha’penny, urging young song-writers to Keep your hand on your copyright.

Itin the Paul Clayton context, was Gotta Travel On. And therein, too, lies a story. On 31st January 1959, Robert Zimmermann was at a Buddy Holly concert at the Armory, in Duluth, Minnesota. On this tour Holly opened his set with an acoustic version of the Clayton-copyrighted Gotta Travel on. Two days later, Buddy Holly performed the same set at the Surf Ballroom, Clear Lake, Iowa. That night Holly, Richy Valens and The Big Bopper were killed when their aircraft crashed.

220px-Bob_Dylan_-_Self_PortraitOn 5th March 1970 Bob Dylan (transmogrified from the young Robert Zimmermann) was at Columbia Studios in Nashville, Tennessee, and recorded three minutes and eight seconds of Gotta Travel On, for the Self Portrait album. Not one of the Bobster’s better efforts.

If I had to choose a version (and in this context I probably do), it would be the way I first heard it, as Done Laid Around, from The Weavers 1958 album, with Erik Darling depping for Seeger (who’d offed himself over the music policies dictated by Vanguard Records, and over a cigarette advertisement). I can’t see how to load up that version.

It’s a very elastic piece: you can have it frantic, as Bill Monroe did it:

Or, as I’d prefer it, more reflective and laid-back, as the re-booted Kingston Trio did in 1965:

– — oO0 — –

So, yesterday, we were  off twenty miles up-country, and up-hill nearly four hundred feet, to Harrogate.Unknown

As far as I could see, the grain along the route hasn’t been harvested yet — but that can’t be long delayed. What I noticed — this much higher, perhaps a fraction cooler — were the leaves, especially on the oaks, were browning. There was a larger leaf-fall than I’d seen in York. Winter’s definitely coming on in these parts. And the winds getting round to the north.

Then, for reasons that are far too complicated to explain, but made perfect sense at the time, I re-read Kurt Vonnegut’s short-story, Long Walk To Forever.

– — oO0 — –

O.K., class, everybody eyes down. Look at that opening sentence:

They had grown up next door to each other, on the fringe of a city, near fields and woods and orchards, within sight of a lovely bell tower that belonged to a school for the blind.

 Where’s the fore-shadowing there? Any other images that might be significant? You’ve noted them down? Back to the text:

“Could you come for a walk?” he said. He was a shy person, even with Catharine. He covered his shyness by speaking absently, as though what really concerned him were far away — as though he were a secret agent pausing briefly on a mission between beautiful, distant, and sinister points. This manner of speaking had always been Newt’s style, even in matters that concerned him desperately.

“A walk?” said Catharine.

 “One foot in front of the other,” said Newt, “through leaves, over bridges—”

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